Unlike a staged performance with a fixed beginning and end, this installation creates a temporal suspension in which the presence of the audience shapes the unfolding events. Two Creatures of Touch move within a liminal space between autonomy and entanglement, responding to each other and their surroundings in real time. Their movements—both subtle and expansive—explore the body of reciprocity, surrender, and transformation.  

The installation allows the audience to move freely through the space, shifting their perspectives and perception of the work. At times, touch appears as a whisper—skin meeting air, a near-contact; at other times, it becomes a force that unites and shapes bodies into a shared organism of perception. The absence of a fixed narrative enables an open-ended experience, where each moment is ephemeral and charged with possibility.